As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
Phoebe Waller-BridgeRead
I always knew that if I was ever going to perform something that I wrote in front of an audience, I was going to do the thing I most like to experience as an audience member, which is to be tricked.
Interpretation
The quote emphasizes the importance of engaging and surprising an audience through creative expression.
Phoebe Waller-Bridge expresses her belief that the most compelling performances are those that captivate the audience by creating unexpected experiences. In her view, the joy of being 'tricked' reflects a deeper connection to the art of storytelling, where the audience is led on a journey that defies their expectations, making the performance memorable and impactful.
In practice
This quote can be used to inspire performers at a theater workshop.
As women, we get the message about how to be a good girl - how to be a good, pretty girl - from such an early age. Then, at the same time, we're told that well-behaved girls won't change the world or ever make a splash.
You don't often see a cross section of female characters interacting with each other at the top of a chain.
I think, a lot of time, I'm just writing my worst fears, of the idea of losing my mom or my best friend or doing something so terrible to somebody that's kind of deemed unforgivable or having a really broken family.
You're allowed to bore your friends and family, but to bore your audience is unforgivable.
If you hear somebody say something absolutely horrendous about their own life, in quite a flippant, offbeat kind of way, when you meet people clearly trying to be strong and brave, the ones who are really good at it are the ones who break my heart the most.
When an audience is laughing with a character, they make themselves so vulnerable, and they open up. They expose their heart the moment they're laughing, because they're relaxed and they're disarmed.
All the seven deadly sins are peccadilloes but without three of them, Pride, Lust, and Sloth, poetry might never have been born.
Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud's terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things. Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.
Most of the time - in 'Pan's Labyrinth' or 'Devil's Backbone' - I'm talking about my childhood.
I often conduct an orchestra in my sleep; my orchestras are so huge that the back desks of the violas vanish into the horizon. And everything is so wonderful.
I am just beginning to understand what it is to paint. A painter should have two lives, one in which to learn, and one in which to practice his art.
Modern storytellers are the descendants of an immense and ancient community of holy people, troubadours, bards, griots, cantadoras, cantors, traveling poets, bums, hags, and crazy people.
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