We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
When I started working on ambient music, my idea was to make music that was more like painting.
Interpretation
Brian Eno aimed to create ambient music that emphasizes atmosphere and experience, similar to visual art.
In this quote, Brian Eno expresses his intention to approach the creation of ambient music with an artistic perspective akin to painting. He suggests that, rather than focusing solely on music in a traditional sense, he seeks to evoke emotions and create environments through sound, much like how a painter uses colors and forms to inspire feelings and ideas in their viewers.
In practice
In a discussion about innovative music styles, one might quote, 'When I started working on ambient music, my idea was to make music that was more like painting.'
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
I write some country music. There's a song called 'I Hope You Dance.' Incredible. I was going to write that poem; somebody beat me to it.
Just because I'm playing jazz I don't forget about me. I play or write me, the way I feel, through jazz, or whatever.
I wept when the muse Ulla bent over me. Blinded by tears I could not prevent her from kissing me, I could not prevent the Muse from giving me that terrible kiss. All of you who have ever been kissed by the Muse will surely understand that Oskar, once branded by that kiss, was condemned to take back the drum he had rejected years before, the drum he had buried in the sand of Sapse Cemetery.
There is something particularly unique about the films of Hong Sang-soo...it's got to do with his masterful sense of storytelling... as the critic Manny Farber once said of Hitchcock's ROPE Hong Sang-soo's pictures unpeel like an orange.
And I don't feel any form of music is beyond me in the sense of that I don't understand it or I don't have some love for some part of it.
Music is my mother and my father; it is my work and my rest...my blood...my compass...my love.
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