It is in books, poems, paintings which often give us the confidence to take seriously feelings in ourselves that we might otherwise never have thought to acknowledge.
Taking architecture seriously therefore makes some singular and strenuous demands upon us...It means conceding that we are inconveniently vulnerable to the colour of our wallpaper and that our sense of purpose may be derailed by an unfortunate bedspread
Interpretation
What this quote means
The quote emphasizes the profound impact of our surroundings, particularly architecture and decor, on our emotions and sense of purpose.
In this quote, Alain De Botton reflects on the intricate relationship between architecture and human experience, suggesting that our physical environment significantly influences our mental state and priorities. By acknowledging our vulnerability to seemingly trivial elements like wallpaper or bedspreads, he highlights the importance of being aware of how our surroundings can shape our lives and perspectives.
Themes
In practice
Example use cases
In a discussion about home decor, one might say this quote to illustrate how important our surroundings are to our well-being.
More from Alain De Botton
All quotes →The more closely we analyze what we consider 'sexy,' the more clearly we will understand that eroticism is the feeling of excitement we experience at finding another human being who shares our values and our sense of the meaning of existence.
Good books put a finger on emotions that are deeply our own - but that we could never have described on our own.
The challenge of modern relationships: how to prove more interesting than the other's smartphone.
It is the most ambitious and driven among us who are the most sorely in need of having our reckless hopes dampened through immersive dousings in the darkness which religions have explored. This is a particular priority for secular Americans, perhaps the most anxious and disappointed people on earth, for their nation infuses them with the most extreme hopes about what they may be able to achieve in their working lives and relationships.
Though debts are condemned in the financial world, the world of friendship and love may perversely depend on well-managed debts.
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When we play an unaccompanied Bach suite we may compare ourselves to an actor in Shakespeare's day, creating scenery which did not exist at all, through the power of declamation and suggestion. So in Bach. There is but one voice -- and many voices have to be suggested.
Can one think that because we are engineers, beauty does not preoccupy us or that we do not try to build beautiful, as well as solid and long lasting structures? Aren't the genuine functions of strength always in keeping with unwritten conditions of harmony? ... Besides, there is an attraction, a special charm in the colossal to which ordinary theories of art do not apply.