Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert RauschenbergRead
My art is about paying attention - about the extremely dangerous possibility that you might be art.
Interpretation
The quote emphasizes the importance of awareness and observation in the creation of art, suggesting that we all have the potential to be art ourselves.
Robert Rauschenberg's quote highlights the transformative power of attention in art. By suggesting that the act of paying attention can turn ordinary experiences into something artistic, he challenges us to recognize that our perceptions and interactions can elevate our existence to an art form. The notion of 'dangerous possibility' implies that this awareness can lead to profound insights and revelations about identity and creativity.
In practice
In a discussion about the nature of creativity during an art class.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
I'm nothing else but an artist, I'm sure, and delighted to be.
I discovered that writing was very nice indeed when I was very young, and I never changed. I don't think my style has changed very much at all - though I hope what I say is a bit more interesting. It's about getting to know a character and loving them, I think.
Sculpture is something you bump into when you back up to look at a painting.
I seem most instinctively to believe in the human value of creative writing, whether in the form of verse or fiction, as a mode of truth-telling, self-expression and homage to the twin miracles of creation and consciousness.
An artist must be free to choose what he does, certainly, but he must also never be afraid to do what he might choose.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
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