Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert RauschenbergRead
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
Interpretation
The quote emphasizes the importance of materials and experiences over abstract concepts in the creative process.
Robert Rauschenberg suggests that genuine creativity arises not from trusting ideas alone, particularly those that seem appealing or 'good,' but rather from engaging directly with the materials and experiences that challenge our understanding. This interaction with the unknown fosters true innovation and connection to the creative process, as it grounds artistic expression in tangible reality rather than abstract thoughts.
In practice
During a workshop on creative processes, I shared this quote to inspire artists to focus on their materials.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
Pop art is a way of liking things.
My parents said, Oh, he's going to be a director someday. I wanted to be an actor.
You really, really, really have to love what you are going to do in theater because it is an unmerciful life. It's six days a week. It's eight performances a week. And that's doing the exact same thing over and over and over again.
For me, the glory of my first 25 years as a writer was I could put things off as long as I wanted.
I don't remember not dancing. When I realized I was alive and these were my parents, and I could walk and talk, I could dance.
So long as I have questions to which there are no answers, I shall go on writing.
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