I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
Robert RauschenbergRead
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Interpretation
Familiarity with a piece of art can lead to a loss of genuine appreciation.
This quote by Robert Rauschenberg suggests that when we engage with a painting too frequently, we may begin to recognize its image without truly seeing or appreciating the depth and intricacies it holds. This familiarity can transform the artwork into a mere facsimile in our minds, detracting from the emotional and intellectual engagement that art is meant to inspire.
In practice
Discussing the role of familiarity in art appreciation during an art workshop.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
There are some experiences in life which should not be demanded twice from any man, and one of them is listening to the Brahms Requiem.
It is the artist's function not to copy but to synthesise: to eliminate from that gross confusion of actuality which is his raw material whatever is accidental, idle, irrelevant, and select for perpetuation that only which is appropriate and immortal.
You need music, I don't know why. It's probably one of those Joe Campbell questions, why we need ritual. We need magic, and bliss, and power, myth, and celebration and religion in our lives, and music is a good way to encapsulate a lot of it.
When everything is added up, the frequent blows weighted against the sporadic triumphs, this is I have to say not just a vocation, it's a great gift. But you also know this, for your work, for your passion, every day is a rededication. Painters, dancers, actors, writers, filmmakers. It's the same for all of you, all of us. Every step is a first step. Every brush stroke is a test. Every scene is a lesson. Every shot is a school. So, let the learning continue.
Theatre is liberating because it only works if it's truthful, That's what it requires. That's not true of film: the camera does lie.
My own thing is in my head. I hear sounds and if I don't get them together nobody else will.
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