Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
Robert RauschenbergRead
I'm not so facile that I can accomplish or find out what I want to know or explore enough of the possibilities and a way of making a painting, say, in just one painting or two paintings.
Interpretation
The quote reflects the complexity of artistic exploration and the limits of single works to express one's full creative vision.
Robert Rauschenberg highlights the challenges artists face in distilling their thoughts and explorations into just one or two pieces of art. He acknowledges that creativity is often a process that requires multiple attempts and iterations to fully capture the depth of ideas and possibilities he wishes to explore.
In practice
When discussing the creative process in an art class.
Very quickly a painting is turned into a facsimile of itself when one becomes so familiar with with it that one recognizes it without looking at it.
I never allowed myself the luxury of those brilliant, beautiful colors until I went to India and saw people walking around in them or dragging them in the mud. I realised they were not so artificial.
My art is about paying attention - about the extremely dangerous possibility that you might be art.
The artist's job is to be a witness to his time in history.
There was a whole language that I could never make function for myself in relationship to painting, and that was attitudes like tortured, struggle, pain.
I don't really trust ideas - especially good ones... Rather, I put my trust in the materials that confront me, because they put me in touch with the unknown.
I write about characters that interest me. And I don't think of my books as being forms of entertainment.
Those who create are rare; those who cannot are numerous. Therefore, the latter are stronger.
I am interested in art as a means of living a life; not as a means of making a living.
The default mode of modern writing about art is to despise any notion of singularity as so much overheated genius-fetishism.
I always like to see if the art across the street is better than mine.
I always panic on the first day of work. You can do all the Stanislavsky-backstory homework, but when that moment arrives and you are in the clothes, hair, and makeup of somebody else, and you're saying the words created by somebody else - I never know how to do it. It's a complete mystery to me.
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