Never to get lost is not to live, not to know how to get lost brings you to destruction.
Rebecca SolnitRead
The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.
Interpretation
This quote emphasizes that true artistry lies in the ability to accept and release past experiences rather than simply forgetting them.
Rebecca Solnit's quote suggests that dealing with loss is not about erasing memories but about learning to let go of them, enabling personal growth and richness in experience. By embracing loss rather than trying to forget it, one can find value and depth in their emotional journey, transforming grief into a part of their wealth of experience.
In practice
In a workshop on resilience, this quote could be shared to illustrate the emotional strength in accepting loss.
Never to get lost is not to live, not to know how to get lost brings you to destruction.
I still think the revolution is to make the world safe for poetry, meandering, for the frail and vulnerable, the rare and obscure, the impractical and local and small.
We have a real role in how our own collective lives, our nation, and our world and society turn out. Seizing those opportunities is important, and disasters are sometimes one of those opportunities.
If sorrow and beauty are all tied up together, then perhaps maturity brings with it not what Nabhan calls abstraction, but an aesthetic sense that partially redeems the losses time brings and finds beauty in the faraway.
The object we call a book is not the real book, but its potential, like a musical score or seed. It exists fully only in the act of being read; and its real home is inside the head of the reader, where the symphony resounds, the seed germinates. A book is a heart that only beats in the chest of another.
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
Too few journalists become screenwriters. I say to all the would-be screenwriters: Become journalists. And Iβll say to working journalists: Do not stay journalists. Become screenwriters.
Don't use your brain to play it, let your feelings guide your fingers.
A John Updike is a once-in-a-generation phenomenon, if that generation is lucky: so comfortable in so many genres, the same lively, generous intelligence suffusing all he did.
Nothing is art if it does not come from nature.
I like looking at geniuses and listening to beautiful people.
[When accepting the American Film Institute Life Achievement award] I beg permission to mention by name only four people who have given me the most affection, appreciation, and encouragement, and constant collaboration. The first of the four is a film editor, the second is a scriptwriter, the third is the mother of my daughter Pat (Patricia Hitchcock), and the fourth is as fine a cook as ever performed miracles in a domestic kitchen. And their names are Alma Reville.
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