The body says what words cannot.
Martha GrahamRead
A dancer must listen to his body and pay homage to it. Behind the movement lies this terrible, driving passion, this necessity. I won't settle for anything less.
Interpretation
The quote emphasizes the deep connection and respect a dancer must have for their own body in the creative process.
Martha Graham highlights the essential relationship between a dancer and their body, suggesting that true expression in dance comes from an intense and passionate understanding of one's own physicality. This quote reveals the dedication and commitment required to achieve artistic excellence, as well as the idea that a dancer's movement is fueled by a profound inner necessity that goes beyond mere technical skill.
In practice
This quote can inspire dancers during rehearsals to connect deeply with their movements.
The body says what words cannot.
Nobody cares if you can't dance well.
Movement never lies. It is a barometer telling the state of the soul's weather to all who can read it.
What people in the world think of you is really none of your business.
No artist is pleased. There is no satisfaction whatever at any time. There is only a strange, divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.
The body is your instrument in dance, but your art is outside that creature, the body.
When you play a videogame, you could be a completely different person than you are in the real world, certain aspects of the way your brain works can be leveraged for something you could never do in the real world.
I want people to come to me open and vulnerable. When they come to the gallery, they have to leave their watches, their computers, their Blackberrys, iPads, iPhones, because we are so incredibly used to technology, and I wanted to remove that.
My first two books are out of print and, okay, they can sleep there comfortably. It's early work, derivative work.
I write essays to clear my mind. I write fiction to open my heart.
Obsession is beautiful. It's what makes art.
Often, particularly towards the end of the process, I think of myself less as a theatre director and more as someone who just directs the traffic. My job is to move the ideas and bits of the show into the places where they work best. Sometimes my job is also to say, 'No.'
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