We are storytelling creatures, and as children we acquire language to tell those stories that we have inside us.
Jerome BrunerRead
There is a deep question whether the possible meanings that emerge from an effort to explain the experience of art may not mask the real meanings of a work of art.
Interpretation
This quote suggests that trying to explain art may obscure its true essence and meaning.
Jerome Bruner's quote highlights the idea that analytical attempts to interpret art might disrupt our direct experience and understanding of it. Instead of uncovering deeper truths, these explanations can sometimes conceal the raw and authentic emotional impact that art is meant to convey. Art exists not just for intellectual analysis but for personal and emotional engagement, and any explanation that overshadows this can limit our appreciation of its true significance.
In practice
In a discussion on art interpretation during a gallery exhibition.
We are storytelling creatures, and as children we acquire language to tell those stories that we have inside us.
The notion of multiple literacies recognized that there are many ways of being-and of becoming-literate, and that how literacy develops and how it is used depend on the particular social and cultural setting.
The foundations of any subject may be taught to anybody at any age in some form.
Organizing facts in terms of principles and ideas from which they may be inferred is the only known way of reducing the quick rate of loss of human memory.
Teaching is the canny art of intellectual temptation
Good teaching is forever being on the cutting edge of a child's competence.
Art is not merely an imitation of the reality of nature, but in truth a metaphysical supplement to the reality of nature, placed alongside thereof for its conquest.
I really only take roles that I love and that I have some kind of innate compulsion or need to tell that story. Although it's almost like I have no control over it. It's like they choose me.
A movie camera is like having someone you have a crush on watching you from afar - you pretend it's not there.
When I provided the disembodied arm as the logo for 'The Man With the Golden Arm,' it was the first time an advertising-publicity campaign was based on a single symbol. Until then film companies used a variety of symbols and photographs to cover all bets. The concept of using one logo was mine and Otto Preminger's.
The kind of fiction I'm trying to write is about telling the truth.
The light music of whiskey falling into glasses made an agreeable interlude.
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