There is an increasing awareness of the interrelatedness of things. We are becoming less prone to accept an immediate solution without questioning its larger implications.
Arthur EricksonRead
Life is rich, always changing, always challenging, and we architects have the task of transmitting into wood, concrete, glass and steel, of transforming human aspirations into habitable and meaningful space.
Interpretation
Life is dynamic and full of challenges, and architects play a vital role in shaping spaces that reflect human desires.
This quote highlights the idea that life is a complex tapestry of experiences that constantly evolves and presents challenges. Architects have a unique responsibility to translate these changing human aspirations into physical structures, creating meaningful environments that enhance the way we live and interact with our surroundings.
In practice
In a speech about innovative urban development, one might quote this to emphasize the role of architects in shaping communities.
There is an increasing awareness of the interrelatedness of things. We are becoming less prone to accept an immediate solution without questioning its larger implications.
We are not peddlers of the fashionable. We believe that good design defies fashion, is truly innovative, eminently sensible, yet a source of inspiration to those who have the pleasure of living with it.
Does an architecture to assuage the spirit have a place in all this? Unfortunately we are no longer the interpreters of our culture's myths but the followers of that dubious client, the developer, who has little patience with the art of architecture, the fine detail and obscure promise, which can upset his financial activity.
The tourist transports his own values and demands to his destinations and implants them like an infectious disease, decimating whatever values existed before.
Space has always been the spiritual dimension of architecture. It is not the physical statement of the structure so much as what it contains that moves us.
Great buildings that move the spirit have always been rare. In every case they are unique, poetic, products of the heart.
There is a force of exultation, a celebration of luck, when a writer finds himself a witness to the early morning of a culture that is defining itself, branch by branch, leaf by leaf, in that self-defining dawn, which is why, especially at the edge of the sea, it is good to make a ritual of the sunrise.
We don't take photographs with our cameras, we take them with our hearts and our minds. They are a reflection of ourselves...wha t we are and what we think.
Vowels are the most illuminated letters in the alphabet. Vowels are the colors and souls of poetry and speech. (1976 Penthouse interview)
I say, 'If I had a serious brain injury I might well write a children's book', but otherwise the idea of being conscious of who you're directing the story to is anathema to me, because, in my view, fiction is freedom and any restraints on that are intolerable.
The wonderful thing about the cartoon form is it's a combination of words and pictures. You don't have to choose, and the contribution of the two often winds up being greater than the sum of its parts.
The gamble of literature is that I make the best work I can; the most truthful, the most representative of how I see things. I try and do that and then I put it out there and say to you, "What do you think?" I hope that you think well of it, obviously.
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