I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Derek WalcottRead
I'd rather have just one person who reads and feels my work deeply than hundreds of thousands who read it but don't really care about.
Interpretation
The value of deep appreciation is greater than popularity without connection.
Derek Walcott emphasizes the importance of meaningful engagement over superficial popularity. He expresses a preference for having a smaller audience that truly resonates with his work, rather than a large number of indifferent readers. This sentiment highlights the significance of authentic connection in art and expression, suggesting that true fulfillment comes from the depth of understanding in relationships with one's audience.
In practice
During a literary event, an author might use this quote to express their views on the importance of integrity in writing.
I don't feel I've arrived home until I get on the beach. All my life, the theater of the sea has been a very strong thing.
Creating a poem is a continual process of re-creating your ignorance, in the sense of not knowing what's coming next.
A long time ago, I thought, as a writer in the Caribbean, 'I don't ever want to have to write 'It was great in Paris.'' Because I don't think, proportionately speaking, that one's experience in a city as opposed to, say, a village in St. Lucia, is superior to the other.
My mother was a schoolteacher and very, very encouraging. She understood what it meant when I said I wanted to be a writer; both me and my brother wrote.
When I went to college - when I read Shakespeare or Dickens or Scott - I just felt that, as a citizen of England, a British citizen, this was as much my heritage as any schoolboy's. That is one of the things the Empire taught, that apart from citizenship, the synonymous inheritance of the citizenship was the literature.
The truest writers are those who see language not as a linguistic process but as a living element.
The true work of art is born from the 'artist': a mysterious, enigmatic, and mystical creation. It detaches itself from him, it acquires an autonomous life, becomes a personality, an independent subject, animated with a spiritual breath, the living subject of a real existence of being.
I met, not long ago, a young man who aspired to become a novelist. Knowing that I was in the profession, he asked me to tell him how he should set to work to realize his ambition. I did my best to explain. 'The first thing,' I said, 'is to buy quite a lot of paper, a bottle of ink, and a pen. After that you merely have to write.'
I don't believe that clothes can start a revolution, but I do believe that fashion is often a manifestation of a sociological or political climate.
O for a Muse of fire, that would ascend The brightest heaven of invention, A kingdom for a stage, princes to act And monarchs to behold the swelling scene!
I tend to believe that film can try to save what still can be saved, in terms of our histories, our memories. Because a lot of things are disappearing very quickly, things are changing. We are living in very quick times, and we have a new generation who basically know nothing about events 30 years ago.
I am always worried that over-planning and outlining will kill the magic of writing; most of the world I created in 'California' occurred via good old sexy sentence-making.
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