I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
Georgia O'KeeffeRead
I long ago came to the conclusion that even if I could put down accurately the thing I saw and enjoyed, it would not give the observer the kind of feeling it gave me. I had to create an equivalent for what I felt about what I was looking at-not copy it.
Interpretation
The quote emphasizes the importance of expressing feelings rather than merely replicating external appearances in art.
Georgia O'Keeffe suggests that true artistic expression must convey the artist's emotional experience rather than just serve as a mere representation of what is observed. This idea underlines the belief that art should capture subjective feelings and perspectives, providing viewers with an emotional connection rather than a straightforward depiction.
In practice
In a speech at an art exhibition, the quote could serve to inspire artists to convey their true feelings through their work.
I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
You are one of my nicest thoughts.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Singing has always seemed to me the most perfect means of expression.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
It always gave me the creeps when I saw performers who desperately wanted the audience to like them. That's not what I'm about.
More varied than any landscape was the landscape in the sky, with islands of gold and silver, peninsulas of apricot and rose against a background of many shades of turquoise and azure.
I don't profess to have music as my big wheel and there are a number of other things as important to me apart from music. Theatre and mime, for instance.
I don't believe that a lot of the things I hear on the air today are going to be played for as long a time as Coleman Hawkins records or Brahms concertos.
Art always opts for the individual, the concrete; art is not Platonic.
Drawing is a kind of hypnotism: one looks in such a way at the model, that he comes and takes a seat on the paper.
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