War's dirty little secret is that some men love it.
I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
Interpretation
What this quote means
Kathryn Bigelow reflects on her transition from the elitism of traditional art to the more accessible medium of film.
In this quote, Kathryn Bigelow illustrates her journey of embracing film as an art form that is more democratic and accessible compared to the traditional notions of art that can be seen as elitist. She emphasizes how her background in the New York art world equipped her with valuable skills, enabling her to explore and push the boundaries within the cinematic realm, which she found to be more inclusive and engaging for a wider audience.
Themes
In practice
Example use cases
In a discussion about the evolution of art forms, one could use this quote to illustrate how film democratizes artistic expression.
More from Kathryn Bigelow
All quotes →Those of us who work in the arts know that depiction is not endorsement. If it was, no artist would be able to paint inhumane practices, no author could write about them, and no filmmaker could delve into the thorny subjects of our time.
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
There should be more women directing; I think there's just not the awareness that it's really possible.
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It's not that the creative act and the critical act are simultaneous. It's more like you blurt something out and then analyze it.
The word 'art' interests me very much. If it comes from Sanskrit, as I've heard, it signifies 'making.' Now everyone makes something, and those who make things on a canvas with a frame, they're called artists. Formerly, they were called craftsmen, a term I prefer. We're all craftsmen, in civilian or military or artistic life.
I did documentary film for a long time, and I spent a lot of time behind the camera, fervently wishing that the reality I was filming would conform to my narrative propriety. But you can't control it.
I believe that filmmaking - as, probably, is everything - is a game you should play with all your cards, and all your dice, and whatever else you've got. So, each time I make a movie, I give it everything I have. I think everyone should, and I think everyone should do everything they do that way.