War's dirty little secret is that some men love it.
Kathryn BigelowRead
Those of us who work in the arts know that depiction is not endorsement. If it was, no artist would be able to paint inhumane practices, no author could write about them, and no filmmaker could delve into the thorny subjects of our time.
Interpretation
Art can portray difficult or controversial subjects without endorsing them.
Kathryn Bigelow's quote emphasizes that the role of artists is not to endorse the subjects they depict, but rather to explore and expose the complexities of human experience. By presenting inhumane practices or thorny topics through their work, artists challenge audiences to confront issues rather than accept them passively, thereby fostering dialogue and reflection within society.
In practice
This quote can be used in a discussion about the responsibilities of artists in society.
War's dirty little secret is that some men love it.
I'd love to just think of myself as a filmmaker, and I wait for the day when the modifier can be a moot point.
I began to exercise a lot of cinematic muscle with the precepts I had learned in the New York art world. Film was intriguing. I began to think of art as elitist; film was not.
If there's specific resistance to women making movies, I just choose to ignore that as an obstacle for two reasons: I can't change my gender, and I refuse to stop making movies.
There should be more women directing; I think there's just not the awareness that it's really possible.
The maker of kitsch does not create inferior art, he is not an incompetent or a bungler, he cannot be evaluated by aesthetic standards; rather, he is ethically depraved, a criminal willing radical evil. And since it is radical evil that is manifest here, evil per se, forming the absolute negative pole of every value-system, kitsch will always be evil, not just kitsch in art, but kitsch in every value-system that is not an imitation system.
We have to support our own films. If we don't, how can we expect others to support them?
Poetry began in the matriarchal age, and derives its magic from the moon, not from the sun. No poet can hope to understand the nature of poetry unless he has had a vision of the Naked King crucified to the lopped oak, and watched the dancers, red-eyed from the acrid smoke of the sacrificial fires, stamping out the measure of the dance, their bodies bent uncouthly forward, with a monotonous chant of "Kill! kill! kill!" and "Blood! blood! blood!
I began to realize that the camera sees the world differently than the human eye and that sometimes those differences can make a photograph more powerful than what you actually observed.
The creative act is not performed by the artist alone; the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act.
I knew exactly how I wanted it to play, but you are never sure until you watch the projected images reflect off the screen. That's when you know it worked.
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