We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
Brian EnoRead
I think there's a lot of similarity between what people try to do with religion with what they want from art. In fact, I very specifically think that they are same thing. Not that religion and art are the same, but that they both tap into the same need we have for surrender.
Interpretation
Both religion and art fulfill a deep human need for surrender and connection.
Brian Eno's quote suggests that both religion and art serve a fundamental purpose in human life—addressing a collective yearning for surrender and a deeper understanding of existence. He argues that while they are not identical, the psychological and emotional needs they fulfill are strikingly similar, indicating a profound link between spiritual and artistic experiences.
In practice
In a discussion about the emotional impact of art, this quote can highlight the deeper significance of artistic expression.
We are increasingly likely to find ourselves in places with background music. No composers have thought to write for these modern spaces, which represent 30% of our musical experience.
I think that technology is always invented for historical reasons, to solve a historical problem. But they very soon reveal themselves to be capable of doing things that aren't historical that nobody had ever thought of doing before.
When I first started making ambient music, I was setting up systems using synthesizers that generated pulses more or less randomly. The end result is a kind of music that continuously changes. Of course, until computers came along, all I could actually present of that work was a piece of its output.
People do dismiss ambient music, don't they? They call it 'easy listening,' as if to suggest that it should be hard to listen to.
In the future, you won't buy artists' works; you'll buy software that makes original pieces of 'their' works, or that recreates their way of looking at things. You could buy a Shostakovich box, or you could buy a Brahms box. You might want some Shostakovich slow-movement-like music to be generated. So then you use that box.
Ambient music must be as ignorable as it is interesting.
A wide screen just makes a bad film twice as bad.
Not till the poets among us can be "literalists of the imagination"-above insolence and triviality and can present for inspection, "imaginary gardens with real toads in them." shall we have it.
It was as though we were a picture, trapped in time: this had been happening for hundreds of years, people sitting in a room, waiting for dinner, and listening to the blues.
Literature is born when something in life goes slightly adrift.
I don't want to make music that is hot now; I want to make music that is hot forever.
It would seem that the more irresponsible and crafty one is, the more likely one is to have a talent for storytelling.
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