The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Louis ArmstrongRead
When I play, maybe 'Back o' Town Blues,' I'm thinking about one of the old, low-down moments - when maybe your woman didn't treat you right. That's a hell of a moment when a woman tell you, 'I got another mule in my stall.'
Interpretation
The quote reflects on the emotional experiences of love and heartbreak expressed through music.
In this quote, Louis Armstrong articulates how music serves as a vessel for conveying deep personal emotions, particularly those associated with love and betrayal. By referencing moments of sorrow tied to relationships, he illustrates how the blues genre captures the essence of human experiences, offering a voice to feelings of loss and longing that many can relate to.
In practice
This quote can be shared during a music appreciation class to highlight the emotional depth of the blues genre.
The memory of things gone is important to a jazz musician. Things like old folks singing in the moonlight in the back yard on a hot night or something said long ago.
Making money ain't nothing exciting to me. You might be able to buy a little better booze than the wino on the corner. But you get sick just like the next cat and when you die you're just as graveyard dead as he is.
Very few of the men whose names have become great in the early pioneering of jazz and of swing were trained in music at all. They were born musicians: they felt their music and played by ear and memory. That was the way it was with the great Dixieland Five.
My whole life, my whole soul, my whole spirit is to blow that horn.
I've Got the World on a String.
It's America's classical music ... this becomes our tradition ... the bottom line of any country in the world is what did we contribute to the world? ... we contributed Louis Armstrong
If all I do in my life is soothe someone's spirit with a song , then let me do that and I'm happy.
I never saw myself as a folk singer.
Gospel goes with me wherever I go. Gospel is a constant with me.
Some kids went to the movies for escape. We found it with jazz. This is where we got religion. It was a kind of raw spiritual anarchy.
First of all, I swore it was two people playing. When I finally admitted to myself that was one man, I gave up the piano for a month. I figured it was hopeless to practice.
Theres no way in the world I can feel the same blues the way I used to. When I play in Chicago, Im playing up-to-date, not the blues I was born with. People should hear the pure blues - the blues we used to have when we had no money.
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