It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
Gillian FlynnRead
One of my biggest peeves is when the writer hasn't given you enough information to figure everything out. You should be able to go back to the beginning of 'Gone Girl,' after you've already read it and you know everything, and say, 'Check - check - yes, she gave us that information.'
Interpretation
The writer should provide sufficient information for readers to understand the narrative fully.
Gillian Flynn emphasizes the importance of well-structured storytelling, where every detail provided in the narrative serves a purpose. A good writer crafts a story that allows readers to revisit the beginning with clarity and a new understanding, having absorbed the entire plot and details effectively.
In practice
This quote can be shared in a writing workshop to emphasize the skill of storytelling.
It’s a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters.
Sometimes I think illness sits inside every woman, waiting for the right moment to bloom. I have known so many sick women all my life. Women with chronic pain, with ever-gestating diseases. Women with conditions. Men, sure, they have bone snaps, they have backaches, they have a surgery or two, yank out a tonsil, insert a shiny plastic hip. Women get consumed.
I was not a lovable child, and I'd grown into a deeply unlovable adult. Draw a picture of my soul, and it'd be a scribble with fangs.
I often don't say things out loud, even when I should. I contain and compartmentalize to a disturbing degree: In my belly-basement are hundreds of bottles of rage, despair, fear, but you'd never guess from looking at me.
Because I'm a woman writing about women who do bad things, that's somehow very 'other.' When men write that, it's called a novel. It's just a book.
I find, the older I get, the more surprised I am about how hesitant people are to say what they really want, what they really dream about, what really drives them. It's as if sometimes we're sort of embarrassed, as we get older, to be transparent about that. But you save so much time if you're transparent about what you want.
Rueful, bittersweet, funny, written with tenderness and bite, Merrill Feitell's stories, like so many classic short stories, are made from the plain and painful stuff of this world, and haunted by the possibility, and the impossibility, of a better one.
Most contemporary novels are not really "written." They obtain what reality they have largely from an accurate rendering of the noises that human beings currently make in their daily simple needs of communication; and what part of a novel is not composed of these noises consists of a prose which is no more alive than that of a competent newspaper writer or government official. A prose that is altogether alive demands something of the reader that the ordinary novel-reader is not prepared to give.
It is a pity, in my opinion, that no prize exists for the writer who best refrains from adding to the world's bad books.
Fiction is the only way I know a human being can inhabit the mind of another human being.
There are now 30-year-old Mexican writers who do great novels in which Mexico isn't even mentioned.
Great, big, serious novels always get awards. If it's a battle between a great, big, serious novel and a funny novel, the funny novel is doomed.
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