The deep joy we take in the company of people with whom we have just recently fallen in love is undisguisable.
John CheeverRead
For me a page of good prose is where one hears the rain. A page of good prose is when one hears the noise of battle.... A page of good prose seems to me the most serious dialogue that well-informed and intelligent men and women carry on today in their endeavor to make sure that the fires of this planet burn peaceably.
Interpretation
Good prose evokes strong imagery and emotions, facilitating meaningful dialogue among thoughtful individuals.
In this quote, John Cheever emphasizes the power of good prose to create vivid sensory experiences, such as hearing rain or the sounds of battle. He implies that skilled writing fosters serious, informed discussions among people striving to ensure peace on our planet, thereby highlighting the significance of literature in addressing contemporary issues.
In practice
In a literary discussion about the impact of prose on societal issues.
The deep joy we take in the company of people with whom we have just recently fallen in love is undisguisable.
For me, a page of good prose is where one hears the rain and the noise of battle. It has the power to give grief or universality that lends it a youthful beauty.
The world that was not mine yesterday now lies spread out at my feet, a splendor. I seem, in the middle of the night, to have returned to the world of apples, the orchards of Heaven. Perhaps I should take my problems to a shrink, or perhaps I should enjoy the apples that I have, streaked with color like the evening sky.
What I am going to write is the last of what I have to say. I will say that literature is the only consciousness we possess and that its role as consciousness must inform us of our ability to comprehend the hideous danger of nuclear power.
Art is the triumph over chaos.
The short story is the literature of the nomad.
When a novel has 200,000 words, then it is possible for the reader to experience 200,000 delights, and to turn back to the first page of the book and experience them all over again, perhaps more intensely.
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be a heroine... But from fifteen to seventeen she was in training for a heroine.
The disappointing second novel is measured against the brilliant first novel - often no novel lives up to the first. Literary improvement seems like an unfair expectation.
There is something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can't tell which way is up. When he surfaces, he's liable to have a condition called the bends, where the body can't adapt to the oxygen levels in the atmosphere. All of this happens to me when I surface from a great book.
Nobody ever asks me why my characters don't text each other. Besides, as soon as you put something 'electronic' in a book, it's already out of date by the time it's published: everything will have changed. Human emotion, on the other hand, will never change.
I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from.
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