I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
Peter JacksonRead
People regard CGI as a gimmick; they almost blame CGI for a bad story or a bad script. They talk about CGI as if it's responsible for a drop in standards.
Interpretation
The quote critiques the tendency to blame CGI for poor storytelling, emphasizing the importance of narrative over technology.
Peter Jackson's quote highlights a common misconception within the film industry that computer-generated imagery (CGI) is to blame for subpar storytelling and overall cinematic standards. He suggests that rather than focusing on the technology, critics should address the foundational elements of a film, such as the script and the story, which ultimately determine its quality.
In practice
This quote could be used in a film studies class when discussing the role of technology in storytelling.
I think we're going to enter a phase where there's less interest in the CGI and there's a demand for story again. I think we've dropped the ball a little bit on stories for the sake of the amazing toys that we've played with.
We're human beings, and we want stories. We're always going to be entertained and have our emotions touched by humanity and by things that we recognize in our own lives. So whilst every now and again we'll be happy to watch a bubblegum film, it's never gonna be the only things that get made.
I have a freedom that's incredibly valuable. Obviously my freedom is far smaller in scale than people like Zemeckis and Spielberg have here. But it's comparable. I can dream up a project, develop it, make it, control it, release it.
Adapting a novel is not really about being faithful to every word and every moment the author has created. It's more about that same story being filtered through somebody else's sensibility.
As a filmmaker, I believe in trying to make movies that invite the audience to be part of the film; in other words, there are some films where I'm just a spectator and am simply observing from the front seat. What I try to do is draw the audience into the film and have them participate in what's happening onscreen.
The most honest form of filmmaking is to make a film for yourself.
One never knows what one is going to do. One starts a painting and then it becomes something quite different.
In some century to come, when the school children will whistle popular tunes in quarter-tones--when the diatonic scale will be as obsolete as the pentatonic is now--perhaps then these borderland experiences may be both easily expressed and readily recognized. But maybe music was not intended to satisfy the curious definiteness of man. Maybe it is better to hope that music may always be transcendental language in the most extravagant sense
It is a skill we learn early, the art of inventing stories to explain away the fearful scared strangeness of the world. Storytelling and make-believe, like war and agriculture, are among the arts of self-defense, and all of them are ways of enclosing otherness and claiming ownership.
Feathers shall raise men even as they do birds towards heaven :- That is by letters written with their quills.
Creativity does not stop just because you're over 50. Hollywood spits female actresses out after age 29, but you don't stop creating. If anything, you become wiser and even better.
I got over the loss of his desk and chair, but never the desire to produce a string of words more precious than the emeralds of Cortés.
Subscribe for the occasional hand-picked quote. No noise.