It is a widely accepted notion among painters that it does not matter what one paints as long as it is well painted. This is the essence of academicism.
A picture lives by companionship, expanding and quickening in the eyes of the sensitive observer. It dies by the same token. It is therefore risky to send it out into the world. How often it must be impaired by the eyes of the unfeeling and the cruelty of the impotent.
Interpretation
What this quote means
Art is deeply influenced by the perception of its audience, thriving on appreciation and suffering from indifference or cruelty.
Mark Rothko's quote reflects the profound relationship between art and its observers. He suggests that a piece of art derives its life and vitality from the emotional engagement of sensitive viewers, who appreciate and interact with it deeply. Conversely, art can suffer and lose its essence when faced with the dispassionate or cruel perspectives of those who fail to understand its value. The quote underscores the inherent risks artists take when sharing their work with the world, as it may be vulnerable to misunderstanding and critique.
Themes
In practice
Example use cases
This quote is perfect for an art exhibition to highlight the importance of viewer interpretation.
More from Mark Rothko
All quotes →Look, it's my misery that I have to paint this kind of painting, it's your misery that you have to love it, and the price of the misery is thirteen hundred and fifty dollars.
We favor the simple expression of the complex thought. We are for the large shape because it has the impact of the unequivocal. We wish to reassert the picture plane. We are for flat forms because they destroy illusion and reveal truth.
The artist invites the spectator to take a journey within the realm of the canvas... Without taking the journey, the spectator has really missed the essential experience of the picture.
The fact that people break down and cry when confronted with my pictures shows that I can communicate those basic human emotions.. the people who weep before my pictures are having the same religious experience I had when painting them. And if you say you are moved only by their color relationships then you miss the point.
If our titles recall the known myths of antiquity, we have used them again because they are the eternal symbols upon which we must fall back to express basic psychological ideas.
Similar quotes
There is something bigger than fact: the underlying spirit, all it stands for, the mood, the vastness, the wildness.
The important thing is not to be too comfortable when you're writing. Noise in the street? That's good. The computer goes down? That's good. All these things are good. It has to be a little bit of a struggle.
One must let the play happen to one; one must let the mind loose to respond as it will, to receive impressions, to sense rather than know, to gather rather than immediately understand.
I like ornament at the right time, but I don't want a poem to be made out of decoration ... When I read the poems that matter to me, it stuns me how much the presence of the heart-in all its forms-is endlessly available there. To experience ourselves in an important way just knocks me out. It puzzles me why people have given that up for cleverness. Some of them are ingenious, more ingenious than I am, but so many of them aren't any good at being alive.
Writing is almost a place of dreams for me, and I don't have to give up anything to do it.
Beauty is all very well at first sight; but who ever looks at it when it has been in the house three days?