If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
Jhumpa LahiriRead
I have two passports because I have to have at least one, and I really don't know how I define myself. And I feel that as I get older, I feel very fortunate to have, on paper, a dual nationality.
Interpretation
This quote reflects the complexity of personal identity and the privilege of holding dual nationality.
Jhumpa Lahiri expresses the multifaceted nature of identity through her experience of holding two passports. As she ages, she recognizes the significance of her dual nationality, which not only represents a legal status but also encapsulates her personal journey in navigating different cultural landscapes and the sense of belonging that comes with it.
In practice
This quote could be used during a discussion on identity at a cultural event.
If certain books are to be termed 'immigrant fiction,' what do we call the rest? Native fiction? Puritan fiction? This distinction doesn't agree with me.
When I sit down to write, I don't think about writing about an idea or a given message. I just try to write a story which is hard enough.
When I am experiencing a complex story or novel, the broader planes, and also details, tend to fall away.
I think each time you start a story or novel or whatever, you are absolutely at the bottom of the ladder all over again. It doesn't matter what you've done before.
The sky was different, without color, taut and unforgiving. But the water was the most unforgiving thing, nearly black at times, cold enough, I knew, to kill me, violent enough to break me apart. The waves were immense, battering rocky beaches without sand. The farther I went, the more desolate it became, more than any place I'd been, but for this very reason the landscape drew me, claimed me as nothing had in a long time.
On the technical side, I hope that my writing is evolving and maturing, ripening, deepening.
Wearing one hoop earring and playing with the androgyny - that's who I am. That's what I like to do. And I feel the world should see that. I'm not going to put a shield up or be more feminine to make people feel comfortable.
I'm not British. I'm not American. I'm not French. Whatever thing they practise, that is their business. I am an African. I am Rwandese.
The mark of a Scot of all classes [is that] he ... remembers and cherishes the memory of his forebears, good or bad; and there burns alive in him a sense of identity with the dead even to the twentieth generation.
In America, I'm a foreigner because of my Korean heritage. In Asia, because I was born in America, I'm a foreigner. I'm always a foreigner.
I understand if everyone looking at me is seeing a Jew and seeing me as a kind of 'other.' But I can't be expected to see myself that way. That is, to me, Jewish is the normal way to be; it's not a type of being.
I always understood my ancestry, like that of so many others in the Gulf Coast, to be a tangle of African slaves, free men of color, French and Spanish immigrants, British colonists, Native Americans - but in what proportion, and what might that proportion tell me about who I thought I was?
Subscribe for the occasional hand-picked quote. No noise.