The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
Henri Cartier-BressonRead
In whatever one does there must be a relationship between the eye and the heart.
Interpretation
This quote emphasizes the connection between perception and emotion in the creative process.
Henri Cartier-Bressonβs quote suggests that artistry and creativity stem from a deep interplay between visual observation and emotional experience. It implies that for true artistry to emerge, one must not only see with their eyes but also feel with their heart, establishing a relationship that allows for a more profound expression of ideas and feelings through art.
In practice
In a discussion on the importance of emotion in photography, one could use this quote to highlight the significance of feeling.
The camera is for us a tool, not a pretty mechanical toy ... people think far too much about techniques and not enough about seeing.
The most difficult thing for me is a portrait. You have to try and put your camera between the skin of a person and his shirt.
Photography has not changed since its origin except in its technical aspects, which for me are not important.
Photographier: c'est mettre sur la meme ligne de mire la tete, l'oeil et le coeur.
Above all, I craved to seize the whole essence, in the confines of one single photograph, of some situation that was in the process of unrolling itself before my eyes.
Pictures, regardless of how they are created and recreated, are intended to be looked at. This brings to the forefront not the technology of imaging, which of course is important, but rather what we might call the eyenology (seeing).
The poet may be used as a barometer, but let us not forget that he is also part of the weather.
The dimensions of a work of art are seldom realized by the author until the work is accomplished. It is like a flowering dream. Ideas grow, budding silently, and there are a thousand illuminations coming day by day as the work progresses. A seed grows in writing as in nature. The seed of the idea is developed by both labor and the unconscious, and the struggle that goes on between them.
Many writers do little else but sit in small rooms recalling the real world.
On the stage he was natural, simple, affecting, 'Twas only when he was off, he was acting.
I'm tempted to say, 'Writing treatments is like designing a film by hiring six million monkeys to tear out pages of an encyclopedia, then you put the pages through a paper-shredder, randomly grab whatever intact lines are left, sing them in Italian to a Spanish deaf-mute, and then make story decisions with the guy via conference call.' But no... compared to writing treatments, that makes sense, too.
Sun-bleached bones were most wonderful against the blue - that blue that will always be there as it is now after all man's destruction is finished.
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