Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step.
Savion GloverRead
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Interpretation
This quote compares dance to languages, highlighting its evolving and expressive nature through slang.
Savion Glover uses the metaphor of dance as a language to emphasize its diverse and fluid expression. While traditional languages like French or Spanish have set rules, slang represents the innovative and ever-changing trends in dance, reflecting personal and cultural identities that evolve with time.
In practice
In a dance workshop, one could say, 'As Savion Glover puts it, dance is like slang, constantly evolving.'
Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step.
For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
I'm happy that people think of me as the greatest tap-dancer that ever lived. But it's just a rumor. Because the greatest dancer that ever lived knows everything, and I don't. I'm still learning. I still have a lot of work to do.
My mom couldn't afford dance shoes, so she put me in these old cowboy boots with a hard bottom so I could get some sound out. I used them for seven months. When I finally got real tap shoes, I was nervous. I kept moving my feet, thinking, 'Oh, so this is how it's supposed to sound.'
The thing about writing is that if you have the impulse, you will find the time.
If you can even manage to tell exactly what a song is about, all you do is put that song in a box forever, and it loses its evocative power.
Part of the joy of looking at art is getting in sync in some ways with the decision-making process that the artist used and the record that's embedded in the work.
Conceptually, I am open to mistakes - errors, actually. I do play lots of wrong notes while I am making some music, and a mistake or a wrong note is like a gift for me: 'Oh, wow, an unknown sound or an unknown harmony. I didn't know about this.'
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
β¦ lend your ears to music, open your eyes to painting, and β¦ stop thinking! Just ask yourself whether the work has enabled you to βwalk aboutβ into a hitherto unknown world. If the answer is yes, what more do you want?
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