Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Savion GloverRead
I'm happy that people think of me as the greatest tap-dancer that ever lived. But it's just a rumor. Because the greatest dancer that ever lived knows everything, and I don't. I'm still learning. I still have a lot of work to do.
Interpretation
The quote reflects humility and the ongoing journey of learning in artistic expression.
In this quote, Savion Glover expresses gratitude for being regarded as an exceptional tap dancer while also acknowledging that such titles are subjective. He emphasizes the importance of continuous growth and learning, indicating that true greatness is recognized by a deep understanding and mastery of oneβs craft, which he believes he has yet to achieve.
In practice
During an award acceptance speech to highlight the dedication to continuous improvement in one's craft.
Other dances are like languages, like French or Spanish, but my steps are slang, and slang is always changing.
Just like a comedian has a certain joke or a jazz musician has a riff that they know will get the crowd, a tap dancer always has a step.
For me, the importance in learning about the dance is using it as a voice. It's not about a step, it's about a way to express oneself.
There are many different styles of, and approaches to, tap. My own leans towards a more intellectual view: tap dancing not just for the sake of entertainment but to educate and spark emotion.
I can produce any instrument, any sound that I can imagine; it may be percussive to the audience, but in my mind it may be a piano, a melody, or a tuba, or a harp, or a harmonica. My mission is to allow people to hear the dance in its purity and up against any other type of sound or music.
My mom couldn't afford dance shoes, so she put me in these old cowboy boots with a hard bottom so I could get some sound out. I used them for seven months. When I finally got real tap shoes, I was nervous. I kept moving my feet, thinking, 'Oh, so this is how it's supposed to sound.'
I am often asked why I started to write poetry. The answer is that my motivation sprang from a visceral need to creatively articulate the experiences of the black youth of my generation, coming of age in a racist society.
An often-repeated assertion in the body of film criticism I have written is the assertion that movies do not just mirror the culture of any given time; they also create it.
The main thing in making art often is letting go of your expectation and your idea.
Rhyme patterns are nothing without meanings to the words. A lot of rappers can do those flows, but the raps aren't really about anything - which is cool sometimes, but to have the flow and the message is one of my favorite things.
I came to poetry through the urgent need to denounce injustice, exploitation, humiliation. I know that's not enough to change the world. But to remain silent would have been a kind of intolerable complicity.
Trying to be a professional dancer, paying my rent by posing nude for art classes, staring at people staring at me naked. Daring them to think of me as anything but a form they were trying to capture with their pencils and charcoal. I was defiant. Hell-bent on surviving. On making it. But it was hard and it was lonely, and I had to dare myself every day to keep going.
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