I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
Georgia O'KeeffeRead
My first memory is of the brightness of light β light all around.
Interpretation
The quote reflects the profound impact of light on perception and creativity.
Georgia O'Keeffe emphasizes the significance of light in shaping our memories and experiences, particularly in the realm of art. The brightness of light serves as a metaphor for inspiration and clarity, suggesting that the way we perceive the world, particularly through artistic expression, can be deeply influenced by the illumination surrounding us.
In practice
Using this quote in an art class to discuss the importance of lighting in painting.
I can't live where I want to, I can't go where I want to go, I can't do what I want to, I can't even say what I want to. I decided I was a very stupid fool not to at least paint as I wanted to.
I found I could say things with color and shapes that I couldn't say any other way - things I had no words for.
You are one of my nicest thoughts.
It was in the 1920s, when nobody had time to reflect, that I saw a still-life painting with a flower that was perfectly exquisite, but so small you really could not appreciate it.
Singing has always seemed to me the most perfect means of expression.
Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or tree. It is lines and colors put together so that they may say something.
The painter must give a completely free rein to any feeling or sensations he may have and reject nothing to which he is naturally drawn.
One of the nice things about the Internet is you can do a comic that's just for Ph.D. students, or for truck drivers, and you get to reach all of them without having to satisfy the other 99%.
I feel like a ghost wandering in a world grown alien. I cannot cast out the old way of writing and I cannot acquire the new. I have made an intense effort to feel the musical manner of today, but it will not come to me.
I write because writing is something that I have to do. And it doesn't matter whether people like it or not. When I write, I feel the pressure and anxiety that come with taking an empty piece of paper and trying to fill it with something from your own consciousness.
My tendency as an actor was to correct people, was to say, 'What if we tried it this way, what about if we tried that way?' That's terrible habit for an actor, but that's a good habit for director. So I became a director.
There is no such thing as a German, French, or Anglo-American Expressionism! There are only young people trying to find their bearings in the world.
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