When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
Ken BurnsRead
I never, ever want to apologize for a film. If it's bad I'll say it's my fault. And that's what I can say so far in all the films that I've done, that if you don't like it, it's entirely my fault.
Interpretation
The quote emphasizes personal accountability and ownership in the creative process.
Ken Burns expresses his commitment to artistic integrity and personal responsibility in filmmaking. He asserts that he will not shy away from taking full responsibility for the films he creates, whether they are well-received or not, highlighting the importance of owning one's creative work.
In practice
In a discussion about creative processes, one might use this quote to highlight the value of accountability.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
It is the great arrogance of the present to forget the intelligence of the past
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
Sculpture is what you bump into when you back up to see a painting.
Truly great images make all the other millions of images you look at unimportant. You gotta look at an image and understand it in a nanosecond.
I am a conventional science fiction author. But that said, once your work is published, it no longer belongs to you. It belongs to the readers and they will derive all sorts of interpretations.
I have an impulse to write all over the orange walls- I need an alphabet of endings ripped out of books, of hands pulled off of clocks, of cold stones, of shoes filled with nothing but wind.
Happy is the novelist who manages to preserve an actual love letter that he received when he was young within a work of fiction, embedded in it like a clean bullet in flabby flesh and quite secure there, among spurious lives.
You can't work in the movies. Movies are all about lighting. Very few filmmakers will concentrate on the story. You get very little rehearsal time, so anything you do onscreen is a kind of speed painting.
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