One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
Roger ScrutonRead
There’s a real question as to what beauty is and why it’s important to us. Many pseudo-philosophers try to answer these questions and tell us they’re not really answerable. I draw on art and literature, and music in particular, because music is a wonderful example of something that’s in this world but not of this world. Great works of music speak to us from another realm even though they speak to us in ordinary physical sounds.
Interpretation
The quote explores the nature of beauty and the unique power of music to connect us to deeper truths beyond the physical world.
Roger Scruton reflects on the profound nature of beauty and its significance in human experience, emphasizing that while many seek to define beauty, it often eludes complete explanation. He uses music as a prime example of art that transcends ordinary reality, suggesting that great music conveys deeper meanings and speaks to the soul in ways that mere words cannot.
In practice
In a lecture on the importance of art in society, one could quote this to emphasize the transcendent qualities of music.
One of the questions that has most bothered me in my reflections on culture is the question of kitsch. Just what is it? When did it begin? And why?
There are big questions science doesn't answer, such as why is there something rather than nothing? There can't be a scientific answer to that because it's the answer that precedes science.
18th century opera is packed with emotion, but contains not a trace of kitsch. Only with the 'thees' and 'thous' of Victorian poetry does the disease begin to grow in our poetic tradition.
The robust English view used to be that the correct response to offensive words is to ignore them, or to answer them with a rebuke. If you invoke the law at all, it should be to protect the one who gives the offence, and not the one who takes it. Now, it seems, it is all the other way round.
For two centuries the English countryside has been an icon of national identity and the loved reminder of our island home. Yet the government is bent on littering the hills with wind turbines and the valleys with high speed railways.
You cannot own a symphony or a novel in the way you can own a Damien Hirst. As a result there are far fewer fake symphonies or fake novels than there are fake works of visual art.
I have a soft spot for art that, in terms of subject matter and material, is in bad taste.
I wanted to show the history and strength of all kinds of black women. Working women, country women, urban women, great women in the history of the United States.
People have always heard voices. Sometimes they're called shamans, sometimes they're called mad, and sometimes they're called fiction writers. I always feel lucky that I live in a culture where fiction writing is legal and not seen as pathology.
Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere... You don't have to dress up, for instance, and you can't hear them boo you right away.
All of a sudden there's a song - there in your hotel room playing your guitar - and you write it, and two or three years later it will come true. It keeps you on your toes.
I like smart movies about smart people, and enjoy it when most of the facts are on the table and we can contemplate them together.
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