When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
Ken BurnsRead
The way I work, the interview never becomes larger than the person being interviewed.
Interpretation
The interview process should focus on the subject rather than the interviewer’s agenda.
Ken Burns emphasizes the importance of prioritizing the individual being interviewed in a conversation, suggesting that the true essence of an interview lies in exploring and highlighting their personality, stories, and experiences. By doing so, the interview becomes a platform for the interviewee to shine rather than a stage for the interviewer’s dominance, fostering a more genuine and meaningful dialogue.
In practice
In a journalism class discussing ethical interview techniques.
When a documentary filmmaker, working in the style that I do, suggests that there has been a shooting ratio of 40 hours to every one hour of finished film, that doesn't mean that the other 39 are bad.
I record all of my music with authentic instruments in a studio before we start editing, doing many, many versions. The music shapes the film as we edit so it has an organic relationship to the content.
Good history is a question of survival. Without any past, we will deprive ourselves of the defining impression of our being.
It is the great arrogance of the present to forget the intelligence of the past
In most films music is brought in at the end, after the picture is more or less locked, to amplify the emotions the filmmaker wants you to feel.
Jazz is a very accurate, curiously accurate accompaniment to 20th century America.
That’s the thing with the young these days, isn’t it? They watch too many happy endings. Everything has to be wrapped up, with a smile and a tear and a wave. Everyone has learned, found love, seen the error of their ways, discovered the joys of monogamy, or fatherhood, or filial duty, or life itself. In my day, people got shot at the end of films, after learning only that life is hollow, dismal, brutish, and short.
Of all tyrannies, a tyranny sincerely exercised for the good of its victims may be the most oppressive. It would be better to live under robber barons than under omnipotent moral busybodies. The robber baron's cruelty may sometimes sleep, his cupidity may at some point be satiated; but those who torment us for our own good will torment us without end for they do so with the approval of their own conscience.
Recently my fingers have developed a prejudice against comparatives. They all follow this pattern: a squirrel is smaller than a tree; a bird is more musical than a tree. Each of us is the strongest one in his or her own skin. Characteristics should take off their hats to one another, instead of spitting in each other's faces.
My voice is born repeatedly in the fields of uncertainty.
Fear can supplant our real problems only to the extent -unwilling either to assimilate or to exhaust it -we perpetuate it within ourselves like a temptation and enthrone it at the very heart of our solitude.
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
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