If they say they don't like the way I play Beethoven, then I can swallow that, and maybe they're right. But if they don't like what I've written, then it's about me.
Stephen HoughRead
They both changed the way we hear the sound of the piano, both of them inventors of sonority: Chopin took bel canto singing lines and reproduced them on the keyboard above richly upholstered counterpoint; Debussy somehow preserved vibrations in the air, blending their ephemeral magic into music that reaches far back into deep memory.
Interpretation
This quote highlights the innovative contributions of composers Chopin and Debussy to piano music.
Stephen Hough's quote emphasizes the revolutionary approaches of Chopin and Debussy in their piano compositions. Chopin is noted for capturing the lyrical quality of bel canto singing, while Debussy is recognized for his unique ability to evoke atmospheric sensations through his music, which connects emotionally to the depths of human memory.
In practice
In a lecture on music history, this quote can be used to illustrate the evolution of piano composition.
If they say they don't like the way I play Beethoven, then I can swallow that, and maybe they're right. But if they don't like what I've written, then it's about me.
Unlike sport, music is not about winning or keeping fit or promoting your town or school; it's about celebrating, to a level approaching ecstasy, the deepest human longings.
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All things of beauty can speak to us of God, and I'm very happy to listen to and be inspired by people of every religious background.
Live in the present moment. The past and future are nonexistent. Only the present can be grasped or, better, embraced.
In Britten or Berg, there's a tension between the sweet and the sour, between the familiar and the unfamiliar, the tonal and the atonal, the happy and the sad. That, to me, is what all western art is about - that tension. It's why we want to say anything at all.
'Untitled' is a time machine that can transport you to 1992, an edgy moment when the art world was crumbling, money was scarce, and artists like Tiravanija were in the nascent stages of combining Happenings, performance art, John Cage, Joseph Beuys, and the do-it-yourself ethos of punk. Meanwhile, a new art world was coming into being.
When I design buildings, I think of the overall composition, much as the parts of a body would fit together. On top of that, I think about how people will approach the building and experience that space.
Film your murders like love scenes, and film your love scenes like murders.
New York is a diamond iceberg floating in river water.
Many really good films allow us to empathize with other lives.
The most extraordinary discoveries are made when the artist is overwhelmed by what he has to say.
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